Yasuhide Ito, Shoichiro Hokazono, Ami Fujiwara's '3 Romances for Euphonium & Piano: No. 3, Intermezzo' came out on January 7, 2022. The duration of 3 Romances for Euphonium & Piano: No. 3, Intermezzo is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. 3 Romances for Euphonium & Piano: No. 3, Intermezzo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Real Euphonium IV". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Japan. 3 Romances for Euphonium & Piano: No. 3, Intermezzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Romances for Euphonium & Piano: No. 3, Intermezzo by Yasuhide Ito, Shoichiro Hokazono, Ami Fujiwara having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonic Suite: I. Intrada | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | E♭ Major | 1 | 5B | 74 BPM | ||
Fantasy Variations | Yasuhide Ito, Shoichiro Hokazono, Toke Civic Wind Orchestra, Hiroyuki Kayo | G Minor | 2 | 6A | 111 BPM | ||
An Original Suite: III. Finale | Gordon Jacob, North Texas Wind Symphony, Eugene Migliaro Corporon | C Minor | 4 | 5A | 128 BPM | ||
Lincolnshire Posy: I. Lisbon | Percy Grainger, North Texas Wind Symphony, Eugene Migliaro Corporon | D♭ Major | 1 | 3B | 120 BPM | ||
Downey Overture | Oscar Navarro, North Texas Wind Symphony, Eugene Migliaro Corporon | G Major | 3 | 9B | 130 BPM | ||
Journey through Orion | Julie Giroux, University of Texas at El Paso Symphonic Winds, Ron Hufstader | A♭ Major | 1 | 4B | 79 BPM | ||
Caccia & Chorale | Clifton Williams, Japan Air Self-Defense Force Central Band, Hiroyuki Kayo | G Minor | 0 | 6A | 86 BPM | ||
Molly on the Shore, BFMS 23 (Version for Wind Ensemble) | Percy Grainger, Royal Norwegian Navy Band, Bjarte Engeset | D♭ Major | 3 | 3B | 110 BPM | ||
A Jupiter Fantasy | Yasuhide Ito, Senzoku Gakuen College of Music Wind Ensemble, Gyochi Yoshida | F Major | 3 | 7B | 113 BPM | ||
Southern Harmony: I. The Midnight Cry | Donald Grantham, Ohio State University Wind Symphony, Russel C. Mikkelson | A♭ Major | 2 | 4B | 129 BPM |
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