"Wahn! Wahn! Überall Wahn! (Die Meistersinger von Nürnberg)" by Sigurd Bjorling, Orchester des Nordwestdeutschen Rundfunks was released on July 30, 2006. Since Wahn! Wahn! Überall Wahn! (Die Meistersinger von Nürnberg) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 7 in Dokumente einer Sängerkarriere - Sigurd Björling by Sigurd Bjorling. In terms of popularity, Wahn! Wahn! Überall Wahn! (Die Meistersinger von Nürnberg) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wahn! Wahn! Überall Wahn! (Die Meistersinger von Nürnberg) by Sigurd Bjorling, Orchester des Nordwestdeutschen Rundfunks is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Daniel Barenboim, Dietrich Fischer-Dieskau, Edinburgh Festival Chorus, Orchestre de Paris | E♭ Major | 0 | 5B | 70 BPM | ||
Khachaturian: Violin Concerto in D Minor, Op. 46: III. Allegro vivace | Aram Khachaturian, David Oistrakh, Philharmonia Orchestra | D Major | 4 | 10B | 149 BPM | ||
Carmen (Sung in Swedish): Act I: Preludium | Georges Bizet, Arne Hendriksen, Sigurd Bjorling, Anders Näslund, Carl-Axel Hallgren, Erik Sundquist, Olle Sivall, Gunnar Kallsing, Kerstin Meyer, Elisabeth Söderström, Busk Margit Jonsson, Kjerstin Dellert, Stockholm Royal Opera Chorus, Stockholm Royal Opera Orchestra, Sixten Ehrling | D♭ Major | 2 | 3B | 71 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
The Sleeping Emperor | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | B Major | 0 | 1B | 132 BPM | ||
Symphony No. 1 in C Minor, WAB 101 (1866-1868 Linz version): III. Scherzo. Schnell - Trio. Langsamer | Anton Bruckner, Bruckner Orchester Linz, Markus Poschner | G Minor | 1 | 6A | 116 BPM | ||
Arnljot, Act I: Arnljot, min son, sök att | Wilhelm Peterson-Berger, Brita Ewert, Sigurd Bjorling, Kungliga Hovkapellet, Nils Grevillius | F Major | 0 | 7B | 117 BPM | ||
Les 7 paroles du Christ: 5e Parole - "Sitio" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Minor | 1 | 3A | 141 BPM | ||
Carnival Overture - 2024 Remastered Version | Antonín Dvořák, Arthur Fiedler, Boston Symphony Orchestra | G Minor | 2 | 6A | 126 BPM | ||
Mahler: Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Otto Klemperer, Fritz Wunderlich, Christa Ludwig, Philharmonia Orchestra, New Philharmonia Orchestra | D Minor | 3 | 7A | 80 BPM |
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