"Chopin / Arr. Liszt: 6 Polish Songs, S. 480: I. Mädchens Wunsch (After Chopin, Op. 74 No. 1)" by Franz Liszt, Frédéric Chopin, Mariam Batsashvili was released on August 30, 2019. The duration of Chopin / Arr. Liszt: 6 Polish Songs, S. 480: I. Mädchens Wunsch (After Chopin, Op. 74 No. 1) is about 3 minutes long, at 3:03. Based on our data, "Chopin / Arr. Liszt: 6 Polish Songs, S. 480: I. Mädchens Wunsch (After Chopin, Op. 74 No. 1)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 2 out of 18 in Chopin & Liszt: Piano Works by Franz Liszt, Mariam Batsashvili. Chopin / Arr. Liszt: 6 Polish Songs, S. 480: I. Mädchens Wunsch (After Chopin, Op. 74 No. 1) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chopin / Arr. Liszt: 6 Polish Songs, S. 480: I. Mädchens Wunsch (After Chopin, Op. 74 No. 1) by Franz Liszt, Frédéric Chopin, Mariam Batsashvili is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
Pièces froides: II. Airs à faire fuir, Modestement | Erik Satie, Bruno Fontaine | G Major | 0 | 9B | 73 BPM | ||
The Well-Tempered Clavier, Book I: Prelude No. 23 in B Major, BWV 868 | Johann Sebastian Bach, Martin Stadtfeld | C Minor | 3 | 5A | 164 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM | ||
5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | ||
3 Etudes Opus 104b: No. 3 in A minor | Felix Mendelssohn, Bertrand Chamayou | A Minor | 3 | 8A | 92 BPM | ||
Songs without Words for Piano, Book 2, op.30: No.6: Venetian Gondolera Song ("Venezianisches Gondellied") | Peter Schmalfuss | C Major | 1 | 8B | 89 BPM | ||
Consolations, S. 172: No. 3 in D-Flat Major. Lento placido | Franz Liszt, Jean-Yves Thibaudet | D♭ Major | 0 | 3B | 134 BPM | ||
Nocturne No. 19 in E Minor, Op. 72, No. 1 | Frédéric Chopin, Benjamin Grosvenor | E Minor | 0 | 9A | 66 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM |
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