Maurice Yvain, Orchestre National de la RTF, Charlotte Vaquier, Christiane Jacquin, Genio, Georges Foix, Gilbert Moryn, Jacques Pruvost, Janine Michaux, Marcelle Sansonetti, Maurice Porterat, Pierre Roy, René Smith, Willy Clement made "Acte I : Dialogue" available on February 3, 2014. With Acte I : Dialogue being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 22 out of 43 in Au Soleil du Mexique, Yvain & Willemetz , Orchestre lyrique et Choeurs de la RTF - Jules Gressier (dir) by Maurice Yvain, Jules Gressier, Willy Clément (baryton), Orchestre Lyrique de la RTF. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Acte I : Dialogue is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Acte I : Dialogue by Maurice Yvain, Orchestre National de la RTF, Charlotte Vaquier, Christiane Jacquin, Genio, Georges Foix, Gilbert Moryn, Jacques Pruvost, Janine Michaux, Marcelle Sansonetti, Maurice Porterat, Pierre Roy, René Smith, Willy Clement is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Yes!, Act II: No. 12, Yes! | Maurice Yvain, Les Frivolités Parisiennes, Sandrine Buendia, Guillaume Durand | F Major | 1 | 7B | 83 BPM | ||
Tarantella - From "The Godfather" | Carmine Coppola | D♭ Major | 3 | 3B | 67 BPM | ||
Straus: Manon: "Ich bin eine Frau, die weiß, was sie will" (Manon) | Oscar Straus, Diana Damrau, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
Im süßen Traum, Op. 31 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 4 | 10B | 79 BPM | ||
Who Cares? (after Gershwin): I Got Rhythm | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | A Minor | 3 | 8A | 148 BPM | ||
Puccini: Turandot, Act 3: "Nessun dorma" (Instrumental Version, Arr. Pryce Jackman) | Giacomo Puccini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Prelude of the Tempest | AKIRA HONDA | C Minor | 2 | 5A | 118 BPM | ||
Un poco a lo Felisberto | Luciano Supervielle, ORQUESTA FILARMÓNICA DE MONTEVIDEO, Camila Rodriguez | E Minor | 7 | 9A | 87 BPM | ||
Moment Musical No. 3 in F Minor, Op. 94: II. Allegro moderato | Slovak Philharmonic, Bohdan Warchal | F♯ Minor | 1 | 11A | 101 BPM |
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