"Schumann / Arr. Heifetz for Violin and Piano: Waldszenen, Op. 82: No. 7, Vogel als Prophet" by Itzhak Perlman, Samuel Sanders was released on October 3, 2005. The duration of Schumann / Arr. Heifetz for Violin and Piano: Waldszenen, Op. 82: No. 7, Vogel als Prophet is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Schumann / Arr. Heifetz for Violin and Piano: Waldszenen, Op. 82: No. 7, Vogel als Prophet's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Violin Encores: Perlman by Itzhak Perlman. The song's track number on the album is #23 out of 46 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The popularity of Schumann / Arr. Heifetz for Violin and Piano: Waldszenen, Op. 82: No. 7, Vogel als Prophet is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Schumann / Arr. Heifetz for Violin and Piano: Waldszenen, Op. 82: No. 7, Vogel als Prophet by Itzhak Perlman, Samuel Sanders has a tempo of 174 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Schumann / Arr. Heifetz for Violin and Piano: Waldszenen, Op. 82: No. 7, Vogel als Prophet being at 174 BPM, the half-time would be 87 BPM with a double-time of 348 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Guitar in A Minor, Op. 2, No. 6, MS 26: Tempo di Walzer | Niccolò Paganini, Scott St. John, Simon Wynberg | A Minor | 2 | 8A | 147 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Wagner: Albumblatt, WWV 94 | Richard Wagner, Renaud Capuçon | A Major | 2 | 11B | 87 BPM | ||
Valse Sentimentale, Op. 51, No. 6 (Arr. for Cello and Piano) | Pyotr Ilyich Tchaikovsky, Yo-Yo Ma, Kathryn Stott | A Minor | 0 | 8A | 73 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": 1. Allegro | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | C Major | 2 | 8B | 152 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Paganini: 24 Caprices, Op. 1: No. 24 in A Minor | Niccolò Paganini, Itzhak Perlman | A Minor | 1 | 8A | 111 BPM | ||
Wieniawski : Variations on an original theme Op.15 | Henryk Wieniawski, Vadim Repin | A Major | 1 | 11B | 78 BPM |
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