"Three Tone Pictures for Orchestra "I Vadestena kolster": II. Meditation" by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors was released on 1997. Three Tone Pictures for Orchestra "I Vadestena kolster": II. Meditation is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. The song is number 6 out of 7 in Bengtsson: "Vettern" - Symphony No.1 - "I Vadstena Kloster" by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors. Based on our statistics, Three Tone Pictures for Orchestra "I Vadestena kolster": II. Meditation's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Three Tone Pictures for Orchestra "I Vadestena kolster": II. Meditation by Gustaf bengtsson, Gävle Symphony Orchestra, Mats Liljefors is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Le tombeau de Couperin, M. 68: V. Menuet - Instrumental | Maurice Ravel, Philadelphia Orchestra, Eugene Ormandy | G Major | 1 | 9B | 87 BPM | ||
Madama Butterfly, SC 74, Act I: Vogliatemi bene | Giacomo Puccini, Cincinnati Pops Orchestra, Erich Kunzel | F♯ Minor | 4 | 11A | 80 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": III. Ritual of Abduction | Igor Stravinsky, San Francisco Symphony, Esa-Pekka Salonen | D Minor | 3 | 7A | 114 BPM | ||
弦楽のためのアダージョ (バーバー)[式後の音楽] | ソフィア交響楽団 | B♭ Minor | 1 | 3A | 78 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | F Major | 0 | 7B | 109 BPM | ||
Children's Corner (arr. A. Caplet for orchestra): Serenade for the Doll | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 0 | 12A | 131 BPM | ||
Piano Trio in A Minor, M.67: I. Modéré | Maurice Ravel, François-Xavier Poizat, Michael Foyle, Jamie Walton | F♯ Major | 0 | 2B | 87 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Vorspiel (Live) | Richard Wagner, Staatskapelle Dresden, Christian Thielemann | E Minor | 2 | 9A | 127 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM |
Section: 0.6604471206665039
End: 0.6650533676147461