Tobias Hume, Labyrinto, Paolo Pandolfo made "A Mery Conceit. The Q(ueens) delight" available on June 19, 2020. With A Mery Conceit. The Q(ueens) delight being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "The Spirit of Gambo". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Spain. A Mery Conceit. The Q(ueens) delight is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With A Mery Conceit. The Q(ueens) delight by Tobias Hume, Labyrinto, Paolo Pandolfo having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM | ||
O'Carolan's Dream | Ronn McFarlane | A♭ Minor | 1 | 1A | 129 BPM | ||
The English Dancing Master: St. Paul's steeple | John Playford, The Broadside Band, Jeremy Barlow | G Minor | 1 | 6A | 98 BPM | ||
Soneto II | Enríquez de Valderrábano, Shirley Rumsey | F Major | 1 | 7B | 144 BPM | ||
The First Part of Ayres, French, Pollish and others together … with Pavines, Galliards, and Almaines (1605): I. A Galiard | Tobias Hume, Matteo Cicchitti, Musica Elegentia | E♭ Minor | 0 | 2A | 90 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
Che farala che dirala | Vincenzo Capirola, Christopher Wilson | F Minor | 0 | 4A | 97 BPM | ||
A Merry Meeting, No. 54 a Merry Meeting | Tobias Hume, Stefano Zanobini | F♯ Minor | 0 | 11A | 73 BPM | ||
Jacaras | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Minor | 2 | 7A | 107 BPM |
Section: 0.554715633392334
End: 0.5585677623748779