- BPM
- 84
- Key
- F Minor
- Camelot
- 4A
Elegy for Strings, Op. 58 - Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà Information
- Acousticness
- 96%
- Danceability
- 15%
- Energy
- 3%
- Instrumentalness
- 98%
- Liveness
- 8%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 11%
- Loudness
- -25.438 dB
Summary
"Elegy for Strings, Op. 58" by Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà was released on August 26, 2022. With this song being about 5 minutes long, at 4:51, "Elegy for Strings, Op. 58" by Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà's "Music for Strings by: Elgar, Arensky, Tchaikovsky, Fuchs" album is number 11 out of 15. On top of that, Netherlands appears to be the country where this track was created. Elegy for Strings, Op. 58 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Elegy for Strings, Op. 58 BPM
We consider the tempo marking of Elegy for Strings, Op. 58 by Pyotr Ilyich Tchaikovsky, Anton Arensky, Edward Elgar, Robert Fuchs, Orchestra Orfeo, Domenico Famà to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Elegy for Strings, Op. 58 Key
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Etude Op. 10 no. 4 in c sharp minor | Valentina Lisitsa | F♯ Minor | 2 | 11A | 92 BPM | |
 | Tchaikovsky: Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 74 BPM | |
 | 3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | |
 | 16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | |
 | Carnaval, Op. 9: No. 12. Chopin | Robert Schumann, Boris Giltburg | C Major | 1 | 8B | 77 BPM | |
 | Piano Concerto No. 1 in B Flat minor, Op.23 - I. Allegro non troppo e molto maestoso (opening) | Horacio Gutiérrez, London Symphony Orchestra, André Previn | D♭ Major | 3 | 3B | 123 BPM | |
 | Kinderszenen, Op. 15: 7. Träumerei | Robert Schumann, Martha Argerich | F Major | 0 | 7B | 130 BPM | |
 | Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | |
 | 8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM | |
 | Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM |
- ISRC
- NLY332201008
- Label
- L-M Records/RCA Records
Section: 0.8023951053619385
End: 0.8061697483062744