- BPM
- 132
- Key
- F♯ Minor
- Camelot
- 11A
Fantasias for 5 Viols: No. 8, Amavi - Michael East, Chelys Consort of Viols Information
- Acousticness
- 89%
- Danceability
- 16%
- Energy
- 1%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 55%
- Speechiness
- 4%
- Valence
- 12%
- Popularity
- 0%
- Loudness
- -26.859 dB
Summary
"Fantasias for 5 Viols: No. 8, Amavi" by Michael East, Chelys Consort of Viols was released on January 8, 2021. Fantasias for 5 Viols: No. 8, Amavi is about six minutes long, preciously at 6:10, making this song fairly long compared to other songs. The song is number 17 out of 19 in Amavi: Music for Viols & Voices by Michael East by Michael East, Fieri Consort, Chelys Consort of Viols. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Fantasias for 5 Viols: No. 8, Amavi's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Fantasias for 5 Viols: No. 8, Amavi BPM
The tempo marking of Fantasias for 5 Viols: No. 8, Amavi by Michael East, Chelys Consort of Viols is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Fantasias for 5 Viols: No. 8, Amavi Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Palestrina: Assumpta Est Maria in Caelum - 6. Quia Hodie Maria Virgo Cum Christo 2 | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | |
 | 4 Hölderlin-Fragmente: No. 4, Ihr wandelt droben im Licht | Friedrich Cerha, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 1 | 11A | 141 BPM | |
 | The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | |
 | Miserere Nostri | Gregorian Chants, Cantori Gregoriani, Gregorian Chant | A♭ Major | 1 | 4B | 133 BPM | |
 | Sonata da camera a 3 in D Major, Op. 2, No. 1: IV. Gavotta: Allegro | Arcangelo Corelli, Il Ruggiero, Emanuela Marcante | D Major | 1 | 10B | 87 BPM | |
 | Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | |
 | Who made thee, Hob, forsake the Plough? | William Byrd, Dorothee Mields, Magdalene Harer, Boreas Quartett Bremen, Hathor Consort | A♭ Major | 2 | 4B | 101 BPM | |
| Fantasia-Suite in A Minor, VdGS group IV, No. 1: III. Courante | John Jenkins, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | |
 | Selig sind die Toten, Op. 11, No. 23, SWV 391 | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 67 BPM | |
 | Messa della Madonna: Recercar con obligo di Cantare la Quinta parte senza Tocarla | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM |
- ISRC
- SEAEB2003170
- Label
- L-M Records/RCA Records
Section: 0.7935354709625244
End: 1.4774932861328125