Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde's 'Overture (Suite) in F Major, TWV 55:F11, "Alster": V. Der Schwanengesang' came out on January 1, 2007. The duration of Overture (Suite) in F Major, TWV 55:F11, "Alster": V. Der Schwanengesang is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Overture (Suite) in F Major, TWV 55:F11, "Alster": V. Der Schwanengesang's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Telemann, G.P.: Overture (Suites) in C Major / E Minor / F Major". In this album, this song's track order is #21. Furthermore, we believe that the track originated from Germany. In terms of popularity, Overture (Suite) in F Major, TWV 55:F11, "Alster": V. Der Schwanengesang is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Overture (Suite) in F Major, TWV 55:F11, "Alster": V. Der Schwanengesang by Georg Philipp Telemann, Cappella Coloniensis, Hans-Martin Linde having a BPM of 104 with a half-time of 52 BPM and a double-time of 208 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
Trumpet Concerto in D: 1. Adagio | Georg Philipp Telemann, Håkan Hardenberger, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 72 BPM | ||
Concerto for 2 Violins, 2 Cellos, Strings and Continuo in G, R.575: 3. Allegro | Antonio Vivaldi, Peter Hanson, Walter Reiter, Jane Coe, David Watkin, The English Concert, Trevor Pinnock | C Major | 2 | 8B | 119 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VII. Menuet I - II | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 0 | 6A | 107 BPM | ||
Flute Concerto in A Minor, QV 5:238: II. Arioso ma non troppo | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | B♭ Major | 0 | 6B | 92 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VI. Prelude | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 1 | 10B | 103 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Sonata in D Major, No. 1: IV. Adagio | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B♭ Minor | 1 | 3A | 96 BPM | ||
Overture in G Minor | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM |
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