"With Great Expectations (From "Great Expectations") [2012 Adaptation]" by Regency Players was released on May 26, 2014. With With Great Expectations (From "Great Expectations") [2012 Adaptation] being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 8 out of 35 in A Suitable Wife Classic Romance Themes from Period Drama by Regency Players. Based on our statistics, With Great Expectations (From "Great Expectations") [2012 Adaptation]'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of With Great Expectations (From "Great Expectations") [2012 Adaptation] by Regency Players is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hearts and Flowers Ball - From the Netflix Series “Bridgerton Season Two” | Kris Bowers | E Major | 1 | 12B | 110 BPM | ||
Cesare And Lucrezia's Theme | Trevor Morris | E Minor | 1 | 9A | 134 BPM | ||
The English Patient: Main Title Theme | Gabriel Yared, Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 75 BPM | ||
Andrei | Martin Phipps, BBC National Orchestra Of Wales | C Major | 1 | 8B | 77 BPM | ||
The Promise of Things to Come | Jan A.P. Kaczmarek | C Major | 4 | 8B | 87 BPM | ||
Where the Land Meets the Sea | Anne Dudley | D Major | 2 | 10B | 80 BPM | ||
Kissing Town | Anne Dudley | F Major | 1 | 7B | 135 BPM | ||
The Mouse | Ilan Eshkeri, London Metropolitan Orchestra, Andy Brown | C Major | 0 | 8B | 53 BPM | ||
Mary Downstairs | Zbigniew Preisner | C Minor | 0 | 5A | 138 BPM | ||
Italian Aria - From "Persuasion" | Regency Players | G Minor | 1 | 6A | 120 BPM |
Section: 0.5233354568481445
End: 0.5268654823303223