Jean Barrière, Olivier Baumont's 'Barrière: Sonates et pièces pour le clavecin, Livre VI: La Boucon' came out on October 7, 2022. With this song being about 5 minutes long, at 5:09, "Barrière: Sonates et pièces pour le clavecin, Livre VI: La Boucon" by Jean Barrière, Olivier Baumont is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Olivier Baumont, Antoine Forqueray, Claude Balbastre, François Couperin, Jean-Joseph Cassanéa De Mondonville, Jean-Philippe Rameau's "Maurice-Quentin de La Tour, portraits en musique" album is number 5 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Barrière: Sonates et pièces pour le clavecin, Livre VI: La Boucon is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Barrière: Sonates et pièces pour le clavecin, Livre VI: La Boucon by Jean Barrière, Olivier Baumont to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonates pour le violoncelle avec la basse continue, livre I, sonate No. 5: II. Allegro | Jean Barrière, Bruno Cocset, Luca Pianca | E Major | 2 | 12B | 118 BPM | ||
Festa no Palácio das Fadas | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Concerto grosso in D Major, Op. 3/1, RV. 549: I. Allegro | Antonio Vivaldi, Simon Standage, Elizabeth Wilcock, Michaela Comberti, Miles Golding, Jaap Ter Linden, The English Concert, Trevor Pinnock | B Minor | 3 | 10A | 125 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet | Georg Philipp Telemann, Dan Laurin, Arte dei Suonatori | B Major | 2 | 1B | 141 BPM | ||
Sonata No. 12 in D minor "Follia", Op. 5: II. Variazioni 2-7 (Allegro) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | B Major | 3 | 1B | 147 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM |
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