Chapter 6 - The Hound of the Baskervilles - Sir Arthur Conan Doyle, Geoffrey Arend, Wilson Bethel, Seamus Dever, Sarah Drew, Henri Lubatti, James Marsters, Christopher Neame, Moira Quirk, Darren Richardson, Adam Mondschein - (understudy for Marsters) Information

Sir Arthur Conan Doyle, Geoffrey Arend, Wilson Bethel, Seamus Dever, Sarah Drew, Henri Lubatti, James Marsters, Christopher Neame, Moira Quirk, Darren Richardson, Adam Mondschein - (understudy for Marsters) made "Chapter 6 - The Hound of the Baskervilles" available on September 15, 2014. The duration of Chapter 6 - The Hound of the Baskervilles is about 3 minutes long, at 3:24. Based on our data, "Chapter 6 - The Hound of the Baskervilles" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 34 in the song's album "The Hound of the Baskervilles (Audiodrama)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Chapter 6 - The Hound of the Baskervilles is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.

Chapter 6 - The Hound of the Baskervilles BPM

With Chapter 6 - The Hound of the Baskervilles by Sir Arthur Conan Doyle, Geoffrey Arend, Wilson Bethel, Seamus Dever, Sarah Drew, Henri Lubatti, James Marsters, Christopher Neame, Moira Quirk, Darren Richardson, Adam Mondschein - (understudy for Marsters) having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Chapter 6 - The Hound of the Baskervilles Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.