"Bliss, Act III, Scene 3, "Woman about Town": Interlude V, "On the Rocks"" by Brett Dean, Amanda Holden, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. With Bliss, Act III, Scene 3, "Woman about Town": Interlude V, "On the Rocks" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 41 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Bliss, Act III, Scene 3, "Woman about Town": Interlude V, "On the Rocks" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bliss, Act III, Scene 3, "Woman about Town": Interlude V, "On the Rocks" by Brett Dean, Amanda Holden, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Bliss, Act II, "The Heart-Throb Hotel": "Johnny! What the hell is happening?" | Brett Dean, Amanda Holden, Peter Coleman-Wright, Lorina Gore, Opera Australia Orchestra, Elgar Howarth | A♭ Major | 2 | 4B | 83 BPM | ||
Bliss, Act I, Scene 4, "Man about Town": "Mister Joy. Harold Joy. Before we charge you" | Brett Dean, Amanda Holden, Stephen Smith, Shane Lowrencev, Peter Coleman-Wright, Opera Australia Orchestra, Elgar Howarth | G Minor | 1 | 6A | 81 BPM | ||
色褪せた饗宴 | HOYO-MiX | C Minor | 8 | 5A | 140 BPM | ||
Wood Music - Concerto pour quintette à vent et orchestre | Olivier Calmel, Scoring Orchestra, Aurélien Azan Zielinski, Mayu Sato-Brémaud, Annelise Clément, Baptiste Gibier, Cyril Normand, Frank Sibold | B Major | 0 | 1B | 67 BPM | ||
Kammermusik No. 5, Op. 36 No. 4: II. Langsam | Paul Hindemith, Brett Dean, Queensland Symphony Orchestra, Werner Andreas Albert | F♯ Major | 0 | 2B | 69 BPM | ||
24 Preludes for Cello and Piano, Op. 47: Prelude No. 19 (Allegro appassionato) | Lera Auerbach, Camille Thomas, Beatrice Berrut | B♭ Minor | 1 | 3A | 97 BPM | ||
The Autumn Leaves | Winfred Jeremiah | D Minor | 1 | 7A | 90 BPM | ||
Synthesis | Selena Ivanova | D Major | 0 | 10B | 98 BPM | ||
Prélude à l’après-midi d’un faune, 900846: Debussy: Prélude à l’après-midi d’un faune | Claude Debussy, Mariss Jansons, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 82 BPM |
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