Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester's 'Concerto No. 3, "Fuge Like a Passion": II. Little G - After Organ Fugue in G Minor, BWV 578 "The Little"' came out on September 16, 2016. Concerto No. 3, "Fuge Like a Passion": II. Little G - After Organ Fugue in G Minor, BWV 578 "The Little" is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. There is only one song in ÜberBach, so we believe that "Concerto No. 3, "Fuge Like a Passion": II. Little G - After Organ Fugue in G Minor, BWV 578 "The Little"" is a single. Concerto No. 3, "Fuge Like a Passion": II. Little G - After Organ Fugue in G Minor, BWV 578 "The Little" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto No. 3, "Fuge Like a Passion": II. Little G - After Organ Fugue in G Minor, BWV 578 "The Little" by Arash Safaian, Pascal Schumacher, Sebastian Knauer, Zürcher Kammerorchester is Andante (at a walking pace), since this song has a tempo of 88 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flowers Germini | Deutsches Kammerorchester Berlin, Wind Quartet | C Major | 0 | 8B | 79 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM | ||
Resting (Short) | Arash Safaian, Sindy Mohamed, Bernhard Wünsch, The Berlin Orchestra | B♭ Minor | 1 | 3A | 73 BPM | ||
The Lamb | John Tavener, 12 Ensemble | E Minor | 0 | 9A | 72 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
Nocturne No. 1 in B flat minor, Op. 9 No. 1 | Frédéric Chopin, Nelson Freire | D♭ Major | 0 | 3B | 62 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Alexander Briger, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 116 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM |
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