"O vis aeternitatis" by Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen was released on December 18, 2020. O vis aeternitatis is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. The track order of this song in Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen's "Hildegard von Bingen - Vespers from Her Abbey" album is number 7 out of 12. On top of that, United States appears to be the country where this track was created. O vis aeternitatis is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of O vis aeternitatis by Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Virgo prudentissima | Hilaire Penet, Alan Black, Pomerium | D Minor | 1 | 7A | 136 BPM | ||
Let All Human Flesh Be Silent | The Sirin Choir, Choirmaster: Andrey Kotov | D Major | 2 | 10B | 129 BPM | ||
Benedictio I, Lectio I: De Libro divinorum operum | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori, Cristina Ramazzini | B Major | 5 | 1B | 114 BPM | ||
Missa Wellensis: IV. Agnus Dei | John Tavener, Wells Cathedral Choir, Matthew Owens | G Minor | 0 | 6A | 0 BPM | ||
Hymns Of The Russian Orthodox Chuch. We Have No Other Help | The choir of the publishing department of the Moscow Patriarchate | A♭ Major | 1 | 4B | 135 BPM | ||
O ignis Spiritus Paracliti | Hildegard von Bingen, Benedictine Nuns of the Abbey of St. Hildegard Eibingen | D♭ Major | 0 | 3B | 131 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
He Has Taken The Divine Grace From Heaven | Men's Choir of the Valaam ... | B Major | 1 | 1B | 126 BPM | ||
Deo gratias | Johannes Ockeghem, Paul Van Nevel | C Major | 1 | 8B | 60 BPM | ||
Cantiga de Santa Maria 300: Muito deveria ome sempr' a loar | Ensemble Discantus, Brigitte Lesne | A♭ Minor | 1 | 1A | 108 BPM |
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