"Matthäus-Passion, BWV 244: No. 49, Aria "Aus Liebe"" by Ensemble Akadêmia, Françoise Lasserre was released on February 5, 2015. With this song being about 5 minutes long, at 4:30, "Matthäus-Passion, BWV 244: No. 49, Aria "Aus Liebe"" by Ensemble Akadêmia, Françoise Lasserre is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 46 in the song's album "Une passion: "Et ils me cloueront sur le bois"". In this album, this song's track order is #16. Furthermore, we believe that the track originated from France. Based on our statistics, Matthäus-Passion, BWV 244: No. 49, Aria "Aus Liebe"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Matthäus-Passion, BWV 244: No. 49, Aria "Aus Liebe" by Ensemble Akadêmia, Françoise Lasserre having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in C Minor: II. Graduale | Luigi Cherubini, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | D♭ Major | 3 | 3B | 114 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
Ricercar in G Minor, FbWV 405, Pt. 1 | Johann Jakob Froberger, Gustav Auzinger | D Major | 1 | 10B | 176 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Anime avventurose" - "Torna o bella" (Orfeo, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Das Sühnopfer des neuen Bundes, Pt. 1: No. 1, Wo find' ich ihn, der meiner Augen Licht | Carl Loewe, Monika Mauch, Ulrike Malotta, Georg Poplutz, Andreas Burkhart, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E Major | 0 | 12B | 73 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: VII. Corale (ciaccona) "Meine Tage in dem Leide" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Motettum de tempore: III. Recitativo. Inter tanta pericla | František Tůma, Andreas Scholl, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Markuspassion: No. 1, Chorus. Geh, JEsu, geh zu deiner Pein! | Nikolaus Matthes, Ensemble Gli Aspetti | D♭ Minor | 0 | 12A | 90 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: Aria: Schame dich, o Seele, nicht (Alto) | Johann Sebastian Bach, Judith Spiesser, Annekathrin Laabs, Robert Sellier, Timo Janzen, Arcis-Vocalisten Munich, Arpa Festante Baroque Orchestra, L', Thomas Gropper | B Major | 1 | 1B | 131 BPM |
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