"Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria: Moderato (arr. S. Miron)" by Domenico Scarlatti, Susan Miron was released on January 1, 2003. The duration of Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria: Moderato (arr. S. Miron) is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria: Moderato (arr. S. Miron)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Scarlatti, D.: 13 Keyboard Sonatas (Arr. for Harp)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria: Moderato (arr. S. Miron) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Keyboard Sonata in D Minor, K.32/L.423/P.14: Aria: Moderato (arr. S. Miron) by Domenico Scarlatti, Susan Miron having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Piano Sonata No. 1 in C Minor, Op. 4: I. Allegro maestoso | Frédéric Chopin, Leif Ove Andsnes | C Minor | 1 | 5A | 76 BPM | ||
Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar, Johann Sebastian Bach | A Minor | 3 | 8A | 64 BPM | ||
Mazurka No.36 In A Minor Op.59 No.1 | Frédéric Chopin, Vladimir Ashkenazy | A Major | 0 | 11B | 63 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: II. Variation I. | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Cello Concerto No. 1 in C Major, Hob.VIIb:1: III. Allegro molto | Joseph Haydn, Steven Isserlis, Sir Roger Norrington | B Minor | 4 | 10A | 119 BPM | ||
Solfeggio in C Minor, Wq. 117: No. 2 | Carl Philipp Emanuel Bach, See Siang Wong | C Minor | 2 | 5A | 78 BPM | ||
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
Keyboard Sonata in F Minor, Kk. 238 | Domenico Scarlatti, Julius Asal | F Minor | 0 | 4A | 68 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.6644315719604492
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