Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group's 'Bernstein: Wonderful Town, Act I: "A little bit in love" (Eileen)' came out on 1999. The duration of Bernstein: Wonderful Town, Act I: "A little bit in love" (Eileen) is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Bernstein: Wonderful Town, Act I: "A little bit in love" (Eileen)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group's "Leonard Bernstein: Wonderful Town" album is number 7 out of 20. Bernstein: Wonderful Town, Act I: "A little bit in love" (Eileen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bernstein: Wonderful Town, Act I: "A little bit in love" (Eileen) by Leonard Bernstein, Sir Simon Rattle, Birmingham Contemporary Music Group to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | Johannes Brahms, Wiener Philharmoniker, Carlos Kleiber | F♯ Major | 7 | 2B | 129 BPM | ||
Carmen, Act I, No.2 : Scène et Choeur: Sur la place, chacun passe, chacun vient, chacun va (Moralès/Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 107 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino, come prima - Meno mosso | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | C Major | 1 | 8B | 95 BPM | ||
Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Nervoso - Allegro - Andante | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | B♭ Minor | 1 | 3A | 86 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andantino | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | G Major | 1 | 9B | 96 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Allegro moderato | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | F Minor | 1 | 4A | 127 BPM | ||
Appalachian Spring: II. Allegro | Aaron Copland, Leonard Bernstein, New York Philharmonic | F Major | 4 | 7B | 82 BPM |
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