Suite for Cello and Orchestra (after C. Debussy): II. Reverie (after C. Debussy) - Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy Information

Acousticness: 97%
Danceability: 11%
Energy: 2%
Instrumentalness: 85%
Liveness: 7%
Loudness: 47%
Speechiness: 4%
Valence: 6%
Popularity: 9%
Loudness: -31.568 dB

Summary

"Suite for Cello and Orchestra (after C. Debussy): II. Reverie (after C. Debussy)" by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy was released on August 24, 2010. With this song being about 5 minutes long, at 4:35, "Suite for Cello and Orchestra (after C. Debussy): II. Reverie (after C. Debussy)" by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "reVisions". In this album, this song's track order is #2. In terms of popularity, Suite for Cello and Orchestra (after C. Debussy): II. Reverie (after C. Debussy) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Suite for Cello and Orchestra (after C. Debussy): II. Reverie (after C. Debussy) BPM

With Suite for Cello and Orchestra (after C. Debussy): II. Reverie (after C. Debussy) by Sally Beamish, Steven Isserlis, Tapiola Sinfonietta, Gábor Takács-Nagy having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Suite for Cello and Orchestra (after C. Debussy): II. Reverie (after C. Debussy) Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
A Hymn to the Virgin	Benjamin Britten, Phoenix Chorale, Charles Bruffy, Kira Rugen, Amy Perciballi, Robert Comeaux, David Topping	E Major	0	12B	81 BPM
Stone, Salt and Sky: III. Harbour Blues	Gaia Duo, Sally Beamish	G Major	2	9B	132 BPM
Enigma Variations. Nimrod: Lux Aeterna	Edward Elgar, London Choral Sinfonia	E Major	1	12B	87 BPM
Byrd: Ave Verum Corpus	William Byrd, Peter Phillips, The Tallis Scholars	A♭ Minor	1	1A	88 BPM
Bless the Lord, My Soul	Cyrillus Kreek, Vox Clamantis, Jaan-Eik Tulve	G Major	0	9B	83 BPM
Missa Maria Magdalena: Agnus Dei	Stellan Sagvik, Annika Skoglund, Olle Persson, Hannah Holgersson, Carl Unander-Scharin, Staffan Alveteg, Bjorn Blomberg, Liselotte Lindgren, Maria Magdalena Motet Choir, Stockholm Chamber Choir, Ralph Gustafsson, Mathias Kjellgren, Stockholm Saxophone Quartet, Ragnar Bohlin	D Major	1	10B	86 BPM
Kyle Song	Sally Beamish	G Major	0	9B	78 BPM
Sangsters: II. Selkies: Adagio	Sally Beamish, Swedish Chamber Orchestra, Ola Rudner	F Major	0	7B	88 BPM
Introit, Op. 6	Gerald Finzi, Thomas Gould, Aurora Orchestra, Nicholas Collon	F Major	1	7B	96 BPM
Liturgical Chants: 4 Spiritual Songs: Cherubic Song	Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava	A Major	0	11B	80 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.9196488857269287

End: 0.9227550029754639