"Trio Sonata in E Major, Op. 1, No. 4, RV 66: II. (Allegro - Adagio)" by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque was released on August 31, 2000. With Trio Sonata in E Major, Op. 1, No. 4, RV 66: II. (Allegro - Adagio) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Trio Sonatas, Op. 1 by Antonio Vivaldi, London Baroque, Charles Medlam. The song's track number on the album is #15 out of 62 tracks. Based on our data, Sweden was the country where this track was produced or recorded. Trio Sonata in E Major, Op. 1, No. 4, RV 66: II. (Allegro - Adagio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Trio Sonata in E Major, Op. 1, No. 4, RV 66: II. (Allegro - Adagio) by Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Trio Sonata in E Major, Op. 1, No. 4, RV 66: II. (Allegro - Adagio) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G Major for Soprano Recorder, Two Violins & Basso Continuo, Op. 3, No. 4: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | D♭ Major | 1 | 3B | 118 BPM | ||
Ottavo libro de' madrigali (Madrigali guerrieri, et amorosi ...), Venice, 1638: Ninfa che scalza il piede e sciolto il crine (sv160) -Part II: Qui deh meco t'arresta, ove di fiori | Claudio Monteverdi, Alfred Deller, Deller Consort | E♭ Major | 1 | 5B | 79 BPM | ||
Suite in D Major: II. Almaine | Christopher Simpson, London Baroque | D♭ Major | 2 | 3B | 133 BPM | ||
Trio Sonata in E Major, Op. 1, No. 4, RV 66: III. Allemanda (Allegro) | Antonio Vivaldi, Ingrid Seifert, Richard Gwilt, Charles Medlam, Terence R. Charlston, Irmgard Schaller, London Baroque | F♯ Minor | 1 | 11A | 79 BPM | ||
Symphony No. 69 in A Major: I. Allegro | Franz Xaver Richter, Helsinki Baroque Orchestra, Aapo Häkkinen | A♭ Major | 2 | 4B | 117 BPM | ||
Concerto In A Minor for Alto Recorder, Two Violins & Basso Continuo: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | A♭ Minor | 1 | 1A | 135 BPM | ||
Concerto in G Major for Soprano Recorder, Two Violins & Basso Continuo, Op. 3, No. 4: Allegro | Thierry Perenoud, The Baroque Soloists Of Amsterdam | F♯ Major | 1 | 2B | 111 BPM | ||
Suite No. 1: III. Galliard | William Lawes, London Baroque | F♯ Minor | 1 | 11A | 122 BPM | ||
Laudate pueri in G Major, RV 601 "Salmo 112": VI. Ut collecet eum (Allegro) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | F♯ Major | 2 | 2B | 121 BPM | ||
Trio Sonata in G Major, Op. 3 No. 1, WK 80 (Arr. for 2 Violins & Basso continuo): I. Vivace | Carl Friedrich Abel, London Baroque | F♯ Major | 2 | 2B | 126 BPM |
Section: 0.6215572357177734
End: 0.6259129047393799