Masayoshi Soken made "妖星乱舞 第4楽章 ~次元の狭間オメガ:シグマ編~" available on July 4, 2018. Since 妖星乱舞 第4楽章 ~次元の狭間オメガ:シグマ編~ is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 105 in the song's album "STORMBLOOD: FINAL FANTASY XIV Original Soundtrack". In this album, this song's track order is #81. Furthermore, we believe that the track originated from Japan. In terms of popularity, 妖星乱舞 第4楽章 ~次元の狭間オメガ:シグマ編~ is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With 妖星乱舞 第4楽章 ~次元の狭間オメガ:シグマ編~ by Masayoshi Soken having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Encounter | 石元 丈晴 | F♯ Minor | 9 | 11A | 160 BPM | ||
Rencounter | Masayoshi Soken | D Major | 9 | 10B | 105 BPM | ||
Rosary - Outro | Binary Haze Interactive, Mili | A Minor | 4 | 8A | 74 BPM | ||
Penultimania | Masayoshi Soken | C Major | 6 | 8B | 150 BPM | ||
Mages of the Shadow | テイルズ オブ シリーズ SOUND TEAM, Bandai Namco Game Music | D Major | 3 | 10B | 102 BPM | ||
The Temple Players | Junya Nakano | B♭ Major | 1 | 6B | 91 BPM | ||
Sol Squadron | PROJECT ACES, Bandai Namco Game Music | D♭ Minor | 6 | 12A | 146 BPM | ||
Unseen Abyss | 鈴木光人, Naoshi Mizuta | B♭ Major | 10 | 6B | 160 BPM | ||
"Antipyretic" from FINAL FANTASY TACTICS (Arrangement) | Takeharu Ishimoto, Kentaro Sato (Ken-P) | C Minor | 7 | 5A | 75 BPM | ||
"Battle Theme" from FINAL FANTASY X (Arrangement) | Keiji Kawamori | D♭ Minor | 10 | 12A | 190 BPM |
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