Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra's ' "Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra)" was released on its scheduled release date, October 28, 2022. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Flaka Goranci, World Chamber Orchestra's "La femme: Journey of Female Composers" album is number 6 out of 21. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra)'s popularity is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Sicilienne in E-Flat Major (Arr. T. Miteva for Cello & Chamber Orchestra) by Maria Theresia von Paradis, Teodora Miteva, World Chamber Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 122 BPM, a half-time of 61BPM, and a double-time of 244 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Adoration (Version for Solo Violin and String Orchestra) | Florence Beatrice Price, Daniel Hope, Zürcher Kammerorchester | D Major | 1 | 10B | 80 BPM | ||
Sicilienne (Arr. for violin and piano by Samuel Dushkin) | Maria Theresia von Paradis, Maya Magub, Hsin-I Huang | D♭ Major | 0 | 3B | 88 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Sicilienne - arr. violoncelle et harpe | Maria Theresia von Paradis, Marie Hallynck, Sophie Hallynck | F♯ Minor | 0 | 11A | 170 BPM | ||
Concerto in D Minor, BWV 974: II. Adagio (Arr. for Cello and Piano by Mischa Maisky) | Johann Sebastian Bach, Mischa Maisky, Lily Maisky | B♭ Major | 3 | 6B | 139 BPM | ||
Elgar: Salut d'amour, Op. 12 (Version for Cello and Piano) | Edward Elgar, Edgar Moreau, Pierre-Yves Hodique | D Major | 1 | 10B | 83 BPM | ||
Nocturne | Lili Boulanger, Juliette Hurel, Hélène Couvert | F Major | 0 | 7B | 62 BPM | ||
Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Zhu Xiao-Mei | F Major | 0 | 7B | 65 BPM |