Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020
Johann Sebastian Bach, Lang Lang
Bach: Goldberg Variations (Extended Edt.)
4:55 February 12, 2021
BPM
110
Key
G Minor
Camelot
6A

Embed

Share Link

Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020 - Johann Sebastian Bach, Lang Lang Information

Acousticness
100%
Danceability
47%
Energy
2%
Instrumentalness
93%
Liveness
11%
Loudness
55%
Speechiness
4%
Valence
34%
Popularity
Loudness
-27.075 dB

Summary

Johann Sebastian Bach, Lang Lang's 'Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020' came out on February 12, 2021. With this song being about 5 minutes long, at 4:55, "Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020" by Johann Sebastian Bach, Lang Lang is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 22 out of 78 in Bach: Goldberg Variations (Extended Edt.) by Johann Sebastian Bach, Lang Lang, Gottfried Heinrich Stölzel, Johann Gottlieb Goldberg, Robert Schumann. In terms of popularity, Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020 BPM

The tempo marking of Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020 by Johann Sebastian Bach, Lang Lang is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.

Goldberg Variations, BWV 988: Variatio 21 Canone alla Settima. (a 1 Clav.) - Live at Thomaskirche Leipzig / 2020 Key

This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.17 in A flat major BWV886 by Daniel BarenboimBach, JS : Well-Tempered Clavier Book 2 : Prelude No.17 in A flat major BWV886Daniel BarenboimA♭ Major14B115 BPM
Violin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato) by Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsViolin Concerto No. 1 in A minor, BWV 1041: I. (Allegro moderato)Johann Sebastian Bach, Daniel Lozakovich, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc, Olga WattsA Minor48A91 BPM
Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, Handel: Harpsichord Suite No. 5 in E Major, HWV 430: IV. Air con Variazioni, "The Harmonious Blacksmith" (from "Suites de Pièces pour le Clavecin I", 1720) - 1996 Digital RemasterGeorge Frideric Handel, Sviatoslav RichterE Major012B144 BPM
12 Monferrinas, Op. 49: VIII. Vivace assai by Muzio Clementi, Howard Shelley12 Monferrinas, Op. 49: VIII. Vivace assaiMuzio Clementi, Howard ShelleyB♭ Major26B103 BPM
Concerto For 4 Harpsichords In A Minor, BWV 1065: I. - Allegro by Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian BachConcerto For 4 Harpsichords In A Minor, BWV 1065: I. - AllegroCologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Robert Hill, Roderick Shaw, Johann Sebastian BachA Minor48A109 BPM
Italian Concerto in F Major, BWV 971: III. Presto by Glenn GouldItalian Concerto in F Major, BWV 971: III. PrestoGlenn GouldF Major67B142 BPM
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente by Franz Joseph Haydn, Alfred BrendelPiano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentementeFranz Joseph Haydn, Alfred BrendelE Major112B122 BPM
Cello Suite No. 3 In C major, BWV 1009 : I. Praeludium by Pablo CasalsCello Suite No. 3 In C major, BWV 1009 : I. PraeludiumPablo CasalsC Major38B94 BPM
Cello Suite No. 2 In D minor, BWV 1008 : VI. Gigue by Pablo CasalsCello Suite No. 2 In D minor, BWV 1008 : VI. GiguePablo CasalsC Major28B62 BPM
Matthäus-Passion: Erster Teil, 14. Evangelista, Jesus Und da sie den Lobgesang gesprochen hatten by Johann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René JacobsMatthäus-Passion: Erster Teil, 14. Evangelista, Jesus Und da sie den Lobgesang gesprochen hattenJohann Sebastian Bach, Werner Güra, Johannes Weisser, Akademie für Alte Musik Berlin, René JacobsA♭ Major24B94 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.7809531688690186

End: 0.7841455936431885