"Madama Butterfly / Act 2: Udiste?" by Giacomo Puccini, Angelo Mercuriali, Enzo Sordello, Michele Cazzato, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 1958. The duration of Madama Butterfly / Act 2: Udiste? is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Madama Butterfly / Act 2: Udiste?'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Madama Butterfly / Act 2: Udiste? is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Madama Butterfly / Act 2: Udiste? by Giacomo Puccini, Angelo Mercuriali, Enzo Sordello, Michele Cazzato, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Turandot, Act III: Nessun dorma (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | D Major | 1 | 10B | 85 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM | ||
Madame Butterfly - Grosser Querschnitt: Wollt ihr mich nun lieben | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | A♭ Minor | 1 | 1A | 100 BPM | ||
Puccini: Madama Butterfly, Act 1: "Vogliatemi bene, un bene piccolino" (Pinkerton, Butterfly) | Giacomo Puccini, Maria Callas, Nicolai Gedda, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 3 | 6B | 89 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | A♭ Major | 1 | 4B | 171 BPM | ||
Puccini: Madama Butterfly, Act 1: "Gran ventura" (Butterfly, Pinkerton, Sharpless, Goro, Chorus) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Coro dell'Accademia Nazionale Di Santa Cecilia, Fabio Maria Capitanucci, Gregory Bonfatti, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 0 | 3B | 67 BPM |
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