Harald Bohmelt, Lilian Harvey, Willy Fritsch, UFA Sound Film Orchestra made "Frau am Steuer: Heut' sollte Sonntag sein fur meine Liebe" available on January 29, 2013. The duration of Frau am Steuer: Heut' sollte Sonntag sein fur meine Liebe is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Frau am Steuer: Heut' sollte Sonntag sein fur meine Liebe's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists, Lothar Brühne, StudioConductor, Franz Grothe, Friedrich Schröder, Otto Dobrindt, Erhard Bauschke, Michael Jary, Werner Bochmann, Nico Dostal, Ludwig Schmidseder, Harald Bohmelt, Theo Mackeben, Peter Kreuder's "History of German film music, Vol. 5: We Dance Around the World (1938-1940)" album is number 16 out of 22. In terms of popularity, Frau am Steuer: Heut' sollte Sonntag sein fur meine Liebe is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Frau am Steuer: Heut' sollte Sonntag sein fur meine Liebe by Harald Bohmelt, Lilian Harvey, Willy Fritsch, UFA Sound Film Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich war Jack Mortimer: Warum liebt man so die Liebe | Harald Bohmelt, Hilde Hildebrand, Studio Orchestra, StudioConductor | E♭ Major | 0 | 5B | 174 BPM | ||
Coming in on a Wing and a Prayer | Charlie Kunz | F Major | 5 | 7B | 130 BPM | ||
Jede Frau sehnt sich nach dir, Casanova (From "Casanova heiratet") | Harald Bohmelt, Robert Gaden und sein Tanzorchester | C Major | 2 | 8B | 112 BPM | ||
Du und ich im Mondenschein | Hans Rehmstedt, Horst Winter | C Major | 2 | 8B | 183 BPM | ||
O mein Papa | Lys Assia | E Major | 2 | 12B | 82 BPM | ||
Ich wollt', ich wäre ein Huhn | Willy Fritsch, Lilian Harvey | C Major | 6 | 8B | 134 BPM | ||
Charleston-Boy, From : ''Die Nacht vor der Premiere'' | Das Fontana-Tanzorchester, Marika Rökk, Sunny-Sisters | D Major | 5 | 10B | 118 BPM | ||
Davon geht die Welt nicht unter | Zarah Leander | D Major | 2 | 10B | 184 BPM | ||
Auch Matrosen haben eine Heimat | Shantychor der Polizei | E♭ Major | 5 | 5B | 113 BPM | ||
Es geht um mein Leben: Konne Sie schon fernsehen? | Harald Bohmelt, Erwin Hartung, Bernhard Ette Orchestra, Bernhard Ette | E♭ Major | 5 | 5B | 129 BPM |
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