"Franck: Les Béatitudes, FWV 53: VII. Bienheureux ceux qui ont le cœur pur" by César Franck, Armin Jordan, Choeurs de Radio France, Daniel Ottevaere, David Rendall, François Loup, Marcel Vanaud, Peter Jeffes, Nouvel Orchestre Philharmonique de Radio France was released on 1986. Franck: Les Béatitudes, FWV 53: VII. Bienheureux ceux qui ont le cœur pur appears to be safe for all ages as it is not explicit. The song is number 7 out of 9 in Franck : Les Béatitudes (APEX) by César Franck, Armin Jordan, Nouvel Orchestre Philharmonique. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Franck: Les Béatitudes, FWV 53: VII. Bienheureux ceux qui ont le cœur pur is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Franck: Les Béatitudes, FWV 53: VII. Bienheureux ceux qui ont le cœur pur by César Franck, Armin Jordan, Choeurs de Radio France, Daniel Ottevaere, David Rendall, François Loup, Marcel Vanaud, Peter Jeffes, Nouvel Orchestre Philharmonique de Radio France is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cinq Pièces pour Harmonium transcrites pour Grand Orgue par Louis Vierne: Andante | César Franck, Hans-Eberhard Roß | B Major | 0 | 1B | 74 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Sonata No. 15 in C Major, II. Andante | Maria João Pires | G Major | 1 | 9B | 108 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 21 in B Flat Major | Alexander Scriabin, Mikhail Pletnev | E♭ Major | 0 | 5B | 70 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Etude in F Minor | Felix Mendelssohn, Benjamin Frith | B♭ Major | 0 | 6B | 75 BPM | ||
Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | ||
Winterreise, Op. 89, D. 911: No. 21, Tauschung (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | A Major | 0 | 11B | 119 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM |
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