- BPM
- 66
- Key
- D♭ Minor
- Camelot
- 12A
Prélude, Aria et Final, FWV 23: Prélude. Allegro moderato e maestoso - César Franck, Nikolai Lugansky Information
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 4%
- Instrumentalness
- 91%
- Liveness
- 8%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 11%
- Loudness
- -24.15 dB
Summary
"Prélude, Aria et Final, FWV 23: Prélude. Allegro moderato e maestoso" by César Franck, Nikolai Lugansky was released on March 6, 2020. Since Prélude, Aria et Final, FWV 23: Prélude. Allegro moderato e maestoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 10 in Franck: Préludes, Fugues & Chorals by César Franck, Nikolai Lugansky. Prélude, Aria et Final, FWV 23: Prélude. Allegro moderato e maestoso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prélude, Aria et Final, FWV 23: Prélude. Allegro moderato e maestoso BPM
The tempo marking of Prélude, Aria et Final, FWV 23: Prélude. Allegro moderato e maestoso by César Franck, Nikolai Lugansky is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Prélude, Aria et Final, FWV 23: Prélude. Allegro moderato e maestoso Key
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | |
 | Piano Quartet in G Minor, K.478: II. Andante | Wolfgang Amadeus Mozart, Leif Ove Andsnes | B♭ Major | 0 | 6B | 140 BPM | |
 | Fantasia in C Minor, Op. 80 "Choral Fantasy": I. Adagio | Ludwig van Beethoven, Leif Ove Andsnes, Mahler Chamber Orchestra | C Minor | 1 | 5A | 149 BPM | |
 | Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | |
 | Piano Sonata No. 12 in F Major, K. 332: II. Adagio | Wolfgang Amadeus Mozart, Maria João Pires | F Major | 0 | 7B | 73 BPM | |
 | Elgar: Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | E Minor | 1 | 9A | 96 BPM | |
 | Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | |
 | Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | |
 | Tempo di valse in F-Sharp Minor, JS 194, "Lulu Waltz": Lulu Waltz | Jean Sibelius, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 88 BPM | |
 | Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7758665084838867
End: 0.7820250988006592