Thomas Connellan, Les Musiciens De Saint-Julien, François Lazarevitch, Robert Getchell's 'Síle Bheag Ní Chonnalláin' came out on March 1, 2016. The duration of Síle Bheag Ní Chonnalláin is about 3 minutes long, at 3:08. Based on our data, "Síle Bheag Ní Chonnalláin" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "The High Road to Kilkenny: Gaelic Songs and Dances of the 17th & 18th Centuries". In this album, this song's track order is #6. Síle Bheag Ní Chonnalláin is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Síle Bheag Ní Chonnalláin by Thomas Connellan, Les Musiciens De Saint-Julien, François Lazarevitch, Robert Getchell having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dancing Master: Jog On | John Playford, The Broadside Band, Jeremy Barlow | C Major | 1 | 8B | 117 BPM | ||
Folias (Imperfectas) [Harp] | La Capella Reial De Catalunya, Hespèrion XXI, Andrew Lawrence-King | A Minor | 0 | 8A | 78 BPM | ||
A chantar m'er | Comtessa de Dia, Ensemble Celadon, Paulin Bundgen, Clara Coutouly | C Major | 1 | 8B | 100 BPM | ||
Si la noche haze escura | Diego Pisador, Shirley Rumsey | G Minor | 0 | 6A | 89 BPM | ||
Cancionero musical de palacio: No. 16, A los baños del amor | Anonymous, Música Temprana, Adrian Rodriguez van der Spoel | D Minor | 0 | 7A | 166 BPM | ||
Miri it is while sumer ilast | Traditional, The Dufay Collective | D Major | 1 | 10B | 92 BPM | ||
Ostinato vo' seguire: Ostinato vo' seguire | Marchetto Cara, Marco Beasley, Guido Morini, Stefano Rocco, Franco Pavan, Fabio Accurso, Bruce Dickey | G Major | 2 | 9B | 107 BPM | ||
Prime stravaganze (From the British Library, Manuscript "Luigi Rossi" No. 30491 - Arr. for Treble, Tenor Viol, 2 Bass Viols and Harp by Fredrik Hildebrand) | Giovanni de Macque, Lux Beata, Fredrik Hildebrand | G Major | 1 | 9B | 116 BPM | ||
Saltarello, "La traditora" | Marco Dall'Aquila, Franklin Lei | A♭ Minor | 1 | 1A | 121 BPM | ||
Danza de la Hacha (arr. V. Dumestre) | Vincent Dumestre, Luis de Briceño, Poeme Harmonique | C Major | 2 | 8B | 145 BPM |
Section: 0.5672287940979004
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