Bernie's Tune - Live At The Haig, Los Angeles / 1953
Lee Konitz, Gerry Mulligan Quartet
Konitz Meets Mulligan
3:34 January 1, 1957
BPM
108
Key
D Minor
Camelot
7A

Embed

Share Link

Bernie's Tune - Live At The Haig, Los Angeles / 1953 - Lee Konitz, Gerry Mulligan Quartet Information

Acousticness
91%
Danceability
54%
Energy
27%
Instrumentalness
0%
Liveness
11%
Loudness
75%
Speechiness
16%
Valence
82%
Popularity
Loudness
-14.873 dB

Summary

On January 1, 1957, the song "Bernie's Tune - Live At The Haig, Los Angeles / 1953" was released by Lee Konitz, Gerry Mulligan Quartet. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Art Farmer, Clifford Brown, Various Artists, Lee Konitz, Gerry Mulligan Quartet's "Konitz Meets Mulligan" album is number 6 out of 12. In terms of popularity, Bernie's Tune - Live At The Haig, Los Angeles / 1953 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Bernie's Tune - Live At The Haig, Los Angeles / 1953 BPM

We consider the tempo marking of Bernie's Tune - Live At The Haig, Los Angeles / 1953 by Lee Konitz, Gerry Mulligan Quartet to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Bernie's Tune - Live At The Haig, Los Angeles / 1953 Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Lady Bird - Remastered by Fats NavarroLady Bird - RemasteredFats NavarroD♭ Minor412A129 BPM
This Is Always - Alternate Take by Annie Ross, Gerry Mulligan QuartetThis Is Always - Alternate TakeAnnie Ross, Gerry Mulligan QuartetD♭ Major13B78 BPM
So In Love by Hampton Hawes TrioSo In LoveHampton Hawes TrioF Minor14A126 BPM
For Heaven's Sake by Horace Silver QuintetFor Heaven's SakeHorace Silver QuintetE♭ Major25B117 BPM
I Remember You by Lee KonitzI Remember YouLee KonitzB♭ Minor33A116 BPM
You Don't Know What Love Is by John Coltrane QuartetYou Don't Know What Love IsJohn Coltrane QuartetF Minor24A65 BPM
Sunset - 2018 Digitally Remastered by McCoy Tyner TrioSunset - 2018 Digitally RemasteredMcCoy Tyner TrioD Major110B132 BPM
Nicolette by Kenny Wheeler, Lee Konitz, Dave Holland, Bill FrisellNicoletteKenny Wheeler, Lee Konitz, Dave Holland, Bill FrisellB Minor110A72 BPM
Let's Fall In Love by Dave Brubeck TrioLet's Fall In LoveDave Brubeck TrioC Major38B97 BPM
Soul Eyes by John Coltrane QuartetSoul EyesJohn Coltrane QuartetF Minor34A78 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5072348117828369

End: 0.5102050304412842