"Rhapsody on a Theme of Paganini, Op. 43: Var. 15. Più vivo scherzando" by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel was released on September 1, 2023. With Rhapsody on a Theme of Paganini, Op. 43: Var. 15. Più vivo scherzando being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 37 in the song's album "Rachmaninoff: The Piano Concertos & Paganini Rhapsody". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Germany. In terms of popularity, Rhapsody on a Theme of Paganini, Op. 43: Var. 15. Più vivo scherzando is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rhapsody on a Theme of Paganini, Op. 43: Var. 15. Più vivo scherzando by Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Moments musicaux, Op. 94, D. 780: No. 4 Moderato | Franz Schubert, Wilhelm Kempff | E Major | 0 | 12B | 90 BPM | ||
Saint-Saëns: 6 Études, Op. 52: No. 6, Étude en forme de valse | Camille Saint-Saëns, Bertrand Chamayou | D♭ Major | 3 | 3B | 132 BPM | ||
Sonata for Violin and Piano No. 2 in D Major, Op. 94a: III. Andante | Sergei Prokofiev, Gidon Kremer, Martha Argerich | F Major | 0 | 7B | 129 BPM | ||
Piano Concerto No. 4 in G Minor, Op. 40 (1941 3rd Version): III. Allegro vivace | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | D♭ Major | 3 | 3B | 87 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17 | Sergei Rachmaninoff, Yuja Wang, Mahler Chamber Orchestra, Claudio Abbado | E♭ Minor | 0 | 2A | 78 BPM | ||
Préludes / Book 1, L. 117: 7. Ce qu'a vu le vent d'ouest | Claude Debussy, Pascal Rogé | G Major | 2 | 9B | 110 BPM | ||
Nocturne No. 4 in A Major | John Field, Benjamin Frith | A Major | 0 | 11B | 69 BPM | ||
Le carnaval des animaux, R. 125: 5. L'Élephant | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 139 BPM | ||
Three Movements for Orchestra: 2. Mvt.2 | Steve Reich, Los Angeles Philharmonic, Stefan Asbury | F Minor | 1 | 4A | 183 BPM | ||
Iberia, B. 47: VI. Triana | Isaac Albéniz, Yuja Wang | F♯ Minor | 1 | 11A | 97 BPM |
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