"Purcell: The Indian Queen, Z. 630, Act IV: "They Tell Us" - Fourth Act Tune - "To Suffer for Him" (Orazia)" by Henry Purcell, Nancy Argenta, John Toll, Nigel North, Richard Boothby was released on June 5, 2001. The duration of Purcell: The Indian Queen, Z. 630, Act IV: "They Tell Us" - Fourth Act Tune - "To Suffer for Him" (Orazia) is about 3 minutes long, at 3:22. Based on our data, "Purcell: The Indian Queen, Z. 630, Act IV: "They Tell Us" - Fourth Act Tune - "To Suffer for Him" (Orazia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 42 in the song's album "Purcell: Songs and Airs". In this album, this song's track order is #5. In terms of popularity, Purcell: The Indian Queen, Z. 630, Act IV: "They Tell Us" - Fourth Act Tune - "To Suffer for Him" (Orazia) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: The Indian Queen, Z. 630, Act IV: "They Tell Us" - Fourth Act Tune - "To Suffer for Him" (Orazia) by Henry Purcell, Nancy Argenta, John Toll, Nigel North, Richard Boothby having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM | ||
Purcell: King Arthur, Z. 628, Act V: Song and Chorus. "Your Hay It Is Mow'd" | Henry Purcell, John Eliot Gardiner, Ashley Stafford, The Monteverdi Choir, Paul Elliott, Stephen Varcoe, English Baroque Soloists | E Major | 1 | 12B | 67 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Armide Opera In 5 Acts With Prologue: Passacaille | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 1 | 11A | 119 BPM | ||
Violin Concerto in D Major, RV 228: I. Allegro non troppo ma vigoroso | Antonio Vivaldi, Marco Fornaciari, Accademia I Filarmonici, Alberto Martini | D Major | 2 | 10B | 123 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Purcell: King Arthur, Z. 628, Act 5: "For folded flocks, and fruitful plains" (Countertenor, Tenor, Baritone) | Henry Purcell, John Eliot Gardiner, Ashley Stafford, Paul Elliott, Stephen Varcoe, English Baroque Soloists | D♭ Minor | 0 | 12A | 74 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Sinfonia in E major, RV 132: II. Andante | Karoly Botvay | A Major | 0 | 11B | 79 BPM |
Section: 0.6827824115753174
End: 0.6880514621734619