"Vremena goda, Op. 67: L'Ete" by Alexander Glazunov, Royal Scottish National Orchestra, Neeme Järvi was released on November 1, 1988. With Vremena goda, Op. 67: L'Ete being less than two minutes long, at 1:49, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov, Oscar Shumsky's "Glazunov: Seasons (The) / Violin Concerto" album is number 8 out of 18. In terms of popularity, Vremena goda, Op. 67: L'Ete is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vremena goda, Op. 67: L'Ete by Alexander Glazunov, Royal Scottish National Orchestra, Neeme Järvi to be Andante (at a walking pace) because the track has a tempo of 108 BPM, a half-time of 54BPM, and a double-time of 216 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Act II: Variation Of Cupid (Minkus) | Mariinsky Orchestra | D Major | 2 | 10B | 132 BPM | ||
Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | ||
Symphony No. 2 in F-Sharp Minor, Op. 16: III. Allegro vivace | Alexander Glazunov, BBC National Orchestra Of Wales, Tadaaki Otaka | B Minor | 1 | 10A | 113 BPM | ||
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Raymonda, Act I: Scene Mimique, Pt. 3 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Minor | 2 | 10A | 116 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
8 Slavonic Dances, Op. 72: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | D♭ Major | 0 | 3B | 66 BPM |
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