St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke)
Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit
Penderecki, K.: St. Luke Passion
0:13 January 22, 2004
BPM
0
Key
D Major
Camelot
10B

Embed

Share Link

St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke) - Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit Information

Acousticness
22%
Danceability
0%
Energy
1%
Instrumentalness
0%
Liveness
31%
Loudness
45%
Speechiness
0%
Valence
0%
Popularity
Loudness
-33.271 dB

Summary

"St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke)" by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit was released on January 22, 2004. With St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 27 in the song's album "Penderecki, K.: St. Luke Passion". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Hong Kong. St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke) BPM

With St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke) by Krzysztof Penderecki, Izabela Klosinska, Krzysztof Kolberger, Adam Kruszewski, Romuald Tesarowicz, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.

St. Luke Passion: Part II: Et baiulans sibi crucem (St. Luke) Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Mass in B Minor, BWV 232 Mass in B Minor, BWV 232 "Hohe Messe": No. 4 Chorus: Et incarnatus estJohann Sebastian Bach, Carlo Maria Giulini, Bavarian Radio Symphony OrchestraB Minor010A75 BPM
Greenwood: 48 Responses to Polymorphia: Baton Sparks by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO OrchestraGreenwood: 48 Responses to Polymorphia: Baton SparksJonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO OrchestraC Major18B115 BPM
La Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin) by Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultLa Vierge / Scene 4: The Assumption: Le dernier sommeil de la Vièrge (The Last Sleep of the Virgin)Jules Massenet, The New Symphony Orchestra Of London, Raymond AgoultG Major19B82 BPM
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] by Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzEtudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra]Seattle Symphony Orchestra, Robert Schumann, Gerard SchwarzA Minor08A70 BPM
Peer Gynt Suite No.1, Op.46: 2. The Death Of Aase by Edvard Grieg, Berliner Philharmoniker, Herbert von KarajanPeer Gynt Suite No.1, Op.46: 2. The Death Of AaseEdvard Grieg, Berliner Philharmoniker, Herbert von KarajanG Major09B45 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 by Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinZdes' khorosho ('How Fair This Spot'), Op. 21, No. 7Sergei Rachmaninoff, Pablo Ferrandez, Denis KozhukhinA Major011B87 BPM
Deux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. Moderato by Einojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko FranckDeux Sérénades (Written for Hilary Hahn): No. 1. Sérénade pour mon amour. ModeratoEinojuhani Rautavaara, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko FranckA Minor18A92 BPM
Greenwood: 48 Responses to Polymorphia: Bridge by Jonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO OrchestraGreenwood: 48 Responses to Polymorphia: BridgeJonny Greenwood, Krzysztof Penderecki, Marek Mos, AUKSO OrchestraC Major18B42 BPM
Missa brevis: II. Gloria by Krzysztof Penderecki, Latvian Radio Choir, Sigvards KļavaMissa brevis: II. GloriaKrzysztof Penderecki, Latvian Radio Choir, Sigvards KļavaF Minor14A81 BPM
Henry V: Henry V: Touch her soft lips and part by William Walton, The Cambridge Singers, Aurora Orchestra, John RutterHenry V: Henry V: Touch her soft lips and partWilliam Walton, The Cambridge Singers, Aurora Orchestra, John RutterC Major08B82 BPM
ISRC
HKI190249515
Label
L-M Records/RCA Records

Section: 0.8216056823730469

End: 0.8255407810211182