"Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major" by Johann Sebastian Bach, Friedrich Gulda was released on October 13, 2017. The duration of Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 29 in Bach: Best of Bach by Johann Sebastian Bach, Friedrich Gulda, Isang Enders, Kammerorchester Berlin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Das wohltemperierte Klavier, BWV 846: Prelude No. 1 in C Major by Johann Sebastian Bach, Friedrich Gulda is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Barcarolle Op. 65 No. 6 | Charles-Valentin Alkan, Pascal Amoyel | G Minor | 0 | 6A | 67 BPM | ||
Cello Concerto No. 3 in A Major, Wq. 172: III. Allegro assai | Carl Philipp Emanuel Bach, Daniel Müller-Schott, L'Arte del mondo, Werner Ehrhardt | E Major | 2 | 12B | 107 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
5 Short Pieces: No. 5, A Sunday Evening in Autumn | Francis Purcell Warren, Steven Isserlis, Stephen Hough | A Major | 0 | 11B | 68 BPM | ||
Chansons grises: V. L'heure exquise | Reynaldo Hahn, Mischa Maisky, Daria Hovora | D Major | 0 | 10B | 83 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM |
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