Heinrich Wilhelm Ernst, Yu-Chien Tseng's 'Etude No. 6, Variations On "The Last Rose Of Summer"' came out on January 13, 2017. Since Etude No. 6, Variations On "The Last Rose Of Summer" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Reverie". In this album, this song's track order is #8. In terms of popularity, Etude No. 6, Variations On "The Last Rose Of Summer" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Etude No. 6, Variations On "The Last Rose Of Summer" by Heinrich Wilhelm Ernst, Yu-Chien Tseng having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen, fantasie brillante, Op. 3, No. 3: Andante moderato | Jenő Hubay, Benjamin Schmid, Lisa Smirnova | B Minor | 2 | 10A | 122 BPM | ||
Carmen Fantasy, Op. 25: I. Introduction: Allegro Moderato | Yu-Chien Tseng, Han-Chien LEE | D Major | 1 | 10B | 108 BPM | ||
Violin Sonata No. 3 in D Minor, Op. 108: Allegro | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Minor | 1 | 7A | 87 BPM | ||
Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043: 3. Allegro | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | D Minor | 4 | 7A | 113 BPM | ||
Introduction & Variations on Di tanti palpiti' from Rossini's Tancredi, Op. 13, "I Palpiti" | Niccolò Paganini, Roman Kim | A Major | 1 | 11B | 113 BPM | ||
Symphony No. 1, Op. 25 in D "Classical": Allegro con brio | Sergei Prokofiev, Yuri Temirkanov | E Minor | 0 | 9A | 99 BPM | ||
Violin Concerto, Op. 48: III. Vivace giocoso | Dmitry Kabalevsky, Neeme Järvi, Royal Scottish National Orchestra, Lydia Mordkovitch | A Minor | 2 | 8A | 90 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Ray Chen, Daniel Harding, Swedish Radio Symphony Orchestra | D Major | 1 | 10B | 83 BPM | ||
Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": I. Largo – Andante molto | Antonio Vivaldi, Peter Whelan, La Serenissima | B♭ Major | 1 | 6B | 114 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM |
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