Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider made "Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria III: Tempo di Ciacona" available on January 1, 2003. With Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria III: Tempo di Ciacona being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 48 in the song's album "Telemann: 6 Orchestral Suites". In this album, this song's track order is #5. In terms of popularity, Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria III: Tempo di Ciacona is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Overture (Suite) in E-Flat Major, TWV 55:Es5: Aria III: Tempo di Ciacona by Georg Philipp Telemann, La Stagione Frankfurt, Michael Schneider having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): IV. Giga: Allegro (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | B Major | 2 | 1B | 126 BPM | ||
Suonata À Solo Facto Per Monsieur Pisendel Del Vivaldi In C, RV 2 | Antonio Vivaldi, La Serenissima, Adrian Chandler, violin | C Major | 0 | 8B | 95 BPM | ||
Concerto in F Major, S. 235: 5. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 120 BPM | ||
Sonata VI in F Major, HWV 401, Op. 5 No. 6: I. Largo - Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | E Major | 1 | 12B | 86 BPM | ||
Trio Sonata No. 2 in G Minor: IV. Menuets I & II | Giovanni Bononcini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Trio Sonata No. 3 in A Major: I. Largo | William Boyce, Simon Standage, Collegium Musicum 90 | E♭ Major | 0 | 5B | 84 BPM | ||
Concerto Grosso, Op. 6, No. 11 in A Major (HWV 329): Allegro | George Frideric Handel, Academy of Ancient Music, Andrew Manze | A♭ Major | 1 | 4B | 131 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Sonata In E Minor For Violin And Continuo: Arioso | Johann Georg Pisendel, La Serenissima, Adrian Chandler, violin | G Major | 1 | 9B | 99 BPM | ||
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM |
Section: 0.7589075565338135
End: 0.7634744644165039