Luis de Narváez, Toyohiko Satoh's 'Los seys libros del Delphín - Libro 3: No. 20. Canción I, del Emperador (Mille regretz de Josquin). Cuarto tono' came out on January 1, 2006. The duration of Los seys libros del Delphín - Libro 3: No. 20. Canción I, del Emperador (Mille regretz de Josquin). Cuarto tono is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Los seys libros del Delphín - Libro 3: No. 20. Canción I, del Emperador (Mille regretz de Josquin). Cuarto tono's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "The Art of Spanish Variations". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Los seys libros del Delphín - Libro 3: No. 20. Canción I, del Emperador (Mille regretz de Josquin). Cuarto tono's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Los seys libros del Delphín - Libro 3: No. 20. Canción I, del Emperador (Mille regretz de Josquin). Cuarto tono by Luis de Narváez, Toyohiko Satoh having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lute Sonata in C Minor, Op. 1, No. 1: III. A tempo giusto | Adam Falckenhagen, Andrew Maginley | D Minor | 1 | 7A | 57 BPM | ||
Los seys libros del Delphin de musica de cifra para taner vihuela: Libro I, 6: Sesto tono sobre fa ut mi re | Luis de Narváez, Pablo Marquez | D Minor | 0 | 7A | 110 BPM | ||
22 Diferencias de “Conde Claros” | Simon Dinnigan, Luis de Narváez | G Major | 1 | 9B | 104 BPM | ||
43 Ghiribizzi, MS 43: 43 Ghiribizzi: n. 10 Allegretto, n. 11 Allegretto, n. 12 Andante | Niccolò Paganini, Mauro Bonelli | A♭ Major | 2 | 4B | 83 BPM | ||
Première suytte de Bransles d'Escosse | Pierre Attaingnant, Doulce Mémoire, Denis Raisin-Dadre | C Minor | 2 | 5A | 105 BPM | ||
Partita BWV 1007 V. | Christian Zimmermann | D♭ Major | 3 | 3B | 131 BPM | ||
Variationen 'Nun sich der Tag geendet hat' | Adam Falkenhagen, Lutz Kirchhof | F♯ Minor | 2 | 11A | 103 BPM | ||
Den haghel ende | Jacob Obrecht, Concerto Palatino | B♭ Major | 0 | 6B | 151 BPM | ||
Lute Sonata No. 11 in D Minor: I. Fantasia | Silvius Leopold Weiss, Robert Barto | A♭ Minor | 1 | 1A | 153 BPM | ||
Cantigas de Santiago: No. 3, Como póden per sas culpas | Stephen Goss, David Russell | A Minor | 2 | 8A | 146 BPM |
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