Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 85.5 & Kapitel 86.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being about 5 minutes long, at 5:21, "Kapitel 85.5 & Kapitel 86.1 - Wie Google tickt - How Google Works" by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #187 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Kapitel 85.5 & Kapitel 86.1 - Wie Google tickt - How Google Works is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Kapitel 85.5 & Kapitel 86.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 85.5 & Kapitel 86.1 - Wie Google tickt - How Google Works being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 2. Offertorium: Domine Jesu Christe | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | F♯ Minor | 3 | 11A | 115 BPM | ||
The Music Makers, Op. 69: II. We are the music makers (Chorus) | Edward Elgar, Andrew Davis, BBC Symphony Orchestra, BBC Symphony Chorus | B♭ Minor | 0 | 3A | 128 BPM | ||
Armenian Songs: Mankakan aghotq - Hayr Mer - Children's Prayer - Our Father | Komitas, Hasmik Papian, Vardan Mamikonian | D Major | 0 | 10B | 76 BPM | ||
Messa di Gloria: XIV. Et unam, sanctam | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | A♭ Major | 1 | 4B | 70 BPM | ||
Les 7 paroles du Christ: 3e Parole - "Mulier, ecce filius tuus" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | B♭ Major | 2 | 6B | 74 BPM | ||
Mass in D Major, Op. 86, B. 153: V. Benedictus | Antonín Dvořák, Priska Eser-Streit, Barbara Müller, Matthias Rettner, Thomas Hamberger, Harald Feller | G Major | 0 | 9B | 67 BPM | ||
Sechs deutsche Lieder, Opus 37: Nr. 6 Lied beim Rundetanz (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | D Major | 2 | 10B | 82 BPM | ||
Giulio Cesare in Egitto, HWV 17, Atto I, Scena 4: "Priva son d'ogni conforto" | George Frideric Handel, Bernarda Fink, René Jacobs, Concerto Köln | D♭ Major | 1 | 3B | 178 BPM | ||
Yunosha i deva (The Youth and the Maiden) | Alexander Dargomyzhsky, Dmitri Hvorostovsky, Ivari Ilja | G Minor | 1 | 6A | 94 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM |
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