Anita O'Day's 'But Not For Me - Live At Mr. Kelly's Restaurant, Chicago, 1958' came out on January 1, 1999. The duration of But Not For Me - Live At Mr. Kelly's Restaurant, Chicago, 1958 is about 3 minutes long, at 3:09. Based on our data, "But Not For Me - Live At Mr. Kelly's Restaurant, Chicago, 1958" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 198 in the song's album "The Complete Anita O'Day Verve-Clef Sessions". In this album, this song's track order is #12. Furthermore, we believe that the track originated from United States. In terms of popularity, But Not For Me - Live At Mr. Kelly's Restaurant, Chicago, 1958 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With But Not For Me - Live At Mr. Kelly's Restaurant, Chicago, 1958 by Anita O'Day having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gipsy in My Soul | Annie Ross | A♭ Major | 3 | 4B | 143 BPM | ||
If You Were Mine | Etta Jones | A♭ Major | 1 | 4B | 79 BPM | ||
Lovers Serenade | Members Of The Glenn Miller Orchestra | G Minor | 2 | 6A | 181 BPM | ||
How Long Has This Been Going On? | Dorothy Dandridge | G Major | 1 | 9B | 128 BPM | ||
I Guess I'll Have To Change My Plans | Annie Ross, Gerry Mulligan Quartet | F Minor | 3 | 4A | 116 BPM | ||
Topsy | Lee Konitz, Warne Marsh | B♭ Minor | 2 | 3A | 81 BPM | ||
All Too Soon | Anita O'Day, The Three Sounds | A♭ Major | 1 | 4B | 89 BPM | ||
Scotch & Soda | Lou Rawls | G Minor | 4 | 6A | 109 BPM | ||
The Night We Called It A Day | Irene Kral | C Major | 1 | 8B | 87 BPM | ||
Lazy River | Benny Goodman Trio | A Minor | 1 | 8A | 97 BPM |
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