"La Bohème, Act 1: Che Gelida Manina" by Jussi Björling was released on March 3, 1931. With this song being about 5 minutes long, at 4:48, "La Bohème, Act 1: Che Gelida Manina" by Jussi Björling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 114 in the song's album "Presenting Jussi Björling". In this album, this song's track order is #94. Furthermore, we believe that the track originated from Germany. La Bohème, Act 1: Che Gelida Manina is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème, Act 1: Che Gelida Manina by Jussi Björling having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 3 Scene 6: "Spargi d'amaro pianto" (Lucia, Raimondo, Enrico, Chorus) | Gaetano Donizetti, Maria Callas, Nicola Zaccaria, Rolando Panerai, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, RIAS Sinfonie-Orchester Berlin, Herbert von Karajan | E♭ Major | 1 | 5B | 101 BPM | ||
Las Hijas del Zebedeo: Carceleras | Ruperto Chapí, Elina Garanca, Staatskapelle Dresden, Fabio Luisi | D Minor | 1 | 7A | 82 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Dvorák: Rusalka, B. 203, Op. 114, Act 1: 'Song to the Moon' (Rusalka) | Antonín Dvořák, Eva Urbanova, Ondrej Lenárd, Prague Symphony Orchestra | A♭ Major | 0 | 4B | 181 BPM | ||
Kärlekens tid | Benny Anderssons Orkester, Helen Sjöholm, Duvemålakören | D Minor | 2 | 7A | 83 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Mefistofele: Epilogue - Ave Signor - Odi il canto d'amor | Arrigo Boito, Riccardo Muti | E Major | 4 | 12B | 139 BPM | ||
Gitarren klinger | Sven Gyldmark, Jussi Björling, Nils Grevillius | G Major | 3 | 9B | 92 BPM |
Section: 0.6404259204864502
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