"Pity in the Poetry" by Peter Vukmirovic Stevens, Penny Rimbaud was released on November 25, 2022. With Pity in the Poetry being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 11 in the song's album "S LENCE". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Pity in the Poetry's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Pity in the Poetry by Peter Vukmirovic Stevens, Penny Rimbaud having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feeble Are You, Sons of Sion | Silencer | D Major | 0 | 10B | 120 BPM | ||
A Woman Can Take You To Another Universe - Sometimes She Justs Leaves You There | John Lurie | G Minor | 0 | 6A | 80 BPM | ||
PSYNCIN' IN THE PaiN | Keisuke Ito | B Major | 2 | 1B | 117 BPM | ||
The Fight | Philip Glass, Paul Leonard-Morgan | A♭ Major | 1 | 4B | 150 BPM | ||
Hierosgamos: V. Playful, But Driven | Oni Buchanan | F Minor | 3 | 4A | 81 BPM | ||
Cadenza on the Night Plain: Introduction | Terry Riley, Kronos Quartet | D Major | 0 | 10B | 90 BPM | ||
Dream like Fantasy | CelloGayageum | G Major | 1 | 9B | 169 BPM | ||
Fantômes... Futurs | Kham Meslien | B♭ Major | 0 | 6B | 111 BPM | ||
Lonely Classical Violin | Rafael Krux | B Major | 1 | 1B | 79 BPM | ||
Gold | Jóhann Jóhannsson, Echo Collective | D Minor | 1 | 7A | 101 BPM |
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