Pablo de Sarasate, Tianwa Yang, Markus Hadulla made "Spanish Dances, Op. 22: Danza espanola No. 3: Romanza andaluza, Op. 22, No. 1" available on August 29, 2006. With this song being about 5 minutes long, at 4:57, "Spanish Dances, Op. 22: Danza espanola No. 3: Romanza andaluza, Op. 22, No. 1" by Pablo de Sarasate, Tianwa Yang, Markus Hadulla is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Sarasate: Violin and Piano Music, Vol. 1". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Spanish Dances, Op. 22: Danza espanola No. 3: Romanza andaluza, Op. 22, No. 1 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Spanish Dances, Op. 22: Danza espanola No. 3: Romanza andaluza, Op. 22, No. 1 by Pablo de Sarasate, Tianwa Yang, Markus Hadulla having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante - Live | Pyotr Ilyich Tchaikovsky, Anne-Sophie Mutter, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 67 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | C Minor | 2 | 5A | 80 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Violin Concerto No. 1 In D, Op. 19: 1. Andantino | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM | ||
Violin Concerto No. 5 in A Major, K. 219 "Turkish": III. Rondeau. Tempo di Menuetto | Wolfgang Amadeus Mozart, Arabella Steinbacher, Daniel Dodds, Lucerne Festival Strings, Festival Strings Lucerne (musical direction) | A Major | 1 | 11B | 118 BPM | ||
The Dance of the Goblins. Op. 25 | Antonio Bazzini, Sarah Chang, Charles Abramovic | G Major | 3 | 9B | 93 BPM | ||
Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Romanian Folk Dances, Sz.56: I. Allegro moderato | Béla Bartók, Kurt Nikkanen, Rohan De Silva | A Minor | 0 | 8A | 80 BPM |
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