Heitor Villa-Lobos, Maria Angelica Funes made "5 Preludes, W. 419: No. 3 in A Minor" available on 2009. The duration of 5 Preludes, W. 419: No. 3 in A Minor is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. 5 Preludes, W. 419: No. 3 in A Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 81 in the song's album "Segovia & Contemporaries, Vol. 11: Rio de la Plata Guitarists". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Canada. The popularity of 5 Preludes, W. 419: No. 3 in A Minor is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 5 Preludes, W. 419: No. 3 in A Minor by Heitor Villa-Lobos, Maria Angelica Funes having a BPM of 163 with a half-time of 82 BPM and a double-time of 326 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite populaire Brésilienne, W020: I. Mazurka-chôro | Heitor Villa-Lobos, Mickael Viegas | A Minor | 1 | 8A | 91 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
24 Preludes: No. 24 In D Minor | Adam Holzman, Manuel Ponce | D Major | 0 | 10B | 95 BPM | ||
6 Violin Sonatas, Op. 10b No. 1 in F Major, J. 99: II. Romanza: Larghetto | Carl Maria von Weber, Frederieke Saeijs, Nino Gvetadze | B♭ Major | 0 | 6B | 83 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Bachianas brasileiras No. 1: I. Introduction: Embolada | Heitor Villa-Lobos, Nashville Symphony Orchestra Cellos, Andrew Mogrelia | G Minor | 1 | 6A | 91 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Carnaval, Op. 9: XII. Chopin | Robert Schumann, Daniil Trifonov | E Major | 0 | 12B | 68 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM |
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