"Suite No. 2 in D Major: II. Allemande" by Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer had its release date on January 1, 1995. The duration of This song is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Suite No. 2 in D Major: II. Allemande's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 245 in the song's album "Recorder Recital: Schneider, Michael - Handel, G.F. / Telemann, G.P. / Barsanti, F. / Scarlatti, A. / Sammartini, G. / Mancini, F. / Castrucci, P.". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite No. 2 in D Major: II. Allemande is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite No. 2 in D Major: II. Allemande by Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: III. Seconde sarabande | Marin Marais, Ensemble Amalia | B Major | 0 | 1B | 70 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: II. Poco andante | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Litaniae Omnium Sanctorum, ZWV 153: Propitius esto | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | A♭ Major | 2 | 4B | 121 BPM | ||
Sonata No. 7 in F Major: III. Allegro spiritoso | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | G Major | 4 | 9B | 82 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Violin Sonata No. 6 in C Minor, C. 143: I. — | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | B Minor | 1 | 10A | 85 BPM | ||
Violin Sonata in G Minor, Op. 5 No. 5: III. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Violin Sonata in D Major, Op. 1 No. 13, HWV 371: IV. Allegro | George Frideric Handel, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Sonata No. 2 in B-Flat major , QV 1:162:, QV 1:162: II. Allegretto | Johann Joachim Quantz, Claudio Ferrarini, Accademia Farnese | B♭ Major | 4 | 6B | 146 BPM |