"Seasons in Hell: Act I: Marseille 20 May 1891" by College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui was released on October 1, 1997. The duration of Seasons in Hell: Act I: Marseille 20 May 1891 is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Seasons in Hell: Act I: Marseille 20 May 1891's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Seasons in Hell". In this album, this song's track order is #12. In terms of popularity, Seasons in Hell: Act I: Marseille 20 May 1891 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Seasons in Hell: Act I: Marseille 20 May 1891 by College-Conservatory of Music Philarmonia, Rendall Gremillion, Philip Mark Horst, Elizabeth Saunders, Sara Lindell, Chad Smith, Mary Elizabeth Kures, Susana Diaz, James David Lynn, Robin Korsin, Alethea Kolgore, Dieter Cui having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Dir, der Unberuhrbaren - Du schwebst zu Hohen der ewigen Reiche - | Gustav Mahler, Barbara Kubiak, Izabela Klosinska, Marta Boberska, Jadwiga Rappe, Ewa Marciniec, Timothy Bentch, Wojtek Drabowicz, Piotr Nowacki, Cardinal Stefan Wyszynski University Choir, Polish Radio Choir, Warsaw Boys Choir, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | E Major | 1 | 12B | 141 BPM | ||
War Requiem, Op. 66: xxiv. Libera Me - " 'None', said the other" | Benjamin Britten, Gianandrea Noseda, Simon Keenlyside, London Symphony Orchestra | E♭ Major | 0 | 5B | 79 BPM | ||
Prometheus: II. According to the Second... | Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra | A Major | 1 | 11B | 81 BPM | ||
Shéhérazade, M. 41: I. Asie | Maurice Ravel, Anne Sofie von Otter, Cleveland Orchestra, Pierre Boulez | B♭ Major | 3 | 6B | 93 BPM | ||
Songs of Separation: II. Burning Hell | Carlos Simon, Gianandrea Noseda, J'nai Bridges, National Symphony Orchestra, Kennedy Center | A♭ Major | 3 | 4B | 87 BPM | ||
L'enfant et les sortilèges, M. 71, Pt. 1: Part I: Bebe a ete sage? (Mama) | Maurice Ravel, Delphine Galou, Orchestre National De Lyon, Leonard Slatkin | A Major | 1 | 11B | 85 BPM | ||
West Side Story: XI. The Rumble | Leonard Bernstein | G Minor | 4 | 6A | 197 BPM | ||
5 Pieces for Orchestra, Op.16 - Original version of 1909: 1. Vorgefühle | Arnold Schoenberg, Cleveland Orchestra, Christoph von Dohnányi | D♭ Major | 3 | 3B | 72 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Major | 0 | 10B | 77 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks, Bavarian Radio Chorus | E Major | 0 | 12B | 54 BPM |
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