John Bell, Salisbury Cathedral Choir, Rowan Wright, Simon Lole's 'We Cannot Measure How You Heal' came out on June 5, 2012. The duration of We Cannot Measure How You Heal is about 3 minutes long, at 3:14. Based on our data, "We Cannot Measure How You Heal" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Salisbury Cathedral Choir, Simon Lole's "Hymns From England" album is number 15 out of 23. Based on our statistics, We Cannot Measure How You Heal's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of We Cannot Measure How You Heal by John Bell, Salisbury Cathedral Choir, Rowan Wright, Simon Lole to be Allegro (fast, quick, and bright) because the track has a tempo of 128 BPM, a half-time of 64BPM, and a double-time of 256 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purge Me From My Sin | The Concordia Choir | F♯ Minor | 1 | 11A | 73 BPM | ||
These Days | John Bell | F♯ Minor | 9 | 11A | 128 BPM | ||
Waitin' for the World to Change (feat. John Bell & Travis Brooks) | Rowdy Yates, John Bell, Travis Brooks | A Major | 8 | 11B | 98 BPM | ||
Peer Gynt Suite No. 1, Op. 46 (arr. J. Bell): III. Anitra's Dance | Edvard Grieg, John Bell, Southern Illinois University Edwardsville Wind Symphony, John Raymond Bell | F Minor | 1 | 4A | 156 BPM | ||
Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 2 | 9B | 101 BPM | ||
Fill Your Hearts With Joy And Gladness | The Orchestra Choir and Congregation of All Souls Church | B♭ Major | 4 | 6B | 100 BPM | ||
How Blessed Are All Who Fear the Lord (Psalm 128a) | Crown & Covenant | F Minor | 8 | 4A | 109 BPM | ||
Only-Begotten Son - Arch. Nathaniel, Arr. B. Sheehan | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F Major | 1 | 7B | 92 BPM | ||
Missa Orientalis - Holy, Holy | Dominican Liturgical Center | E♭ Major | 2 | 5B | 104 BPM | ||
Hear My Prayer, O Lord (Psalm 102) | Charles Macpherson, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | F Major | 1 | 7B | 127 BPM |
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