Blas Galindo, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's 'Homenaje a Cervantes (suite): Gavota - Museta - Gavota' came out on January 1, 1994. The duration of Homenaje a Cervantes (suite): Gavota - Museta - Gavota is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Homenaje a Cervantes (suite): Gavota - Museta - Gavota's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz's "Musica Mexicana Vol. 4" album is number 7 out of 11. In terms of popularity, Homenaje a Cervantes (suite): Gavota - Museta - Gavota is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Homenaje a Cervantes (suite): Gavota - Museta - Gavota by Blas Galindo, Orquesta Filarmónica de la Ciudad de México, Enrique Bátiz to be Andante (at a walking pace) because the track has a tempo of 99 BPM, a half-time of 50BPM, and a double-time of 198 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
MOZART: SYMPHONY NO. 40 IN G MINOR, K.550: I. MOLTO ALLEGRO | Jeffrey Tate | G Minor | 2 | 6A | 105 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
Sinfonía | Orquesta Sinfónica Y Coro De La RAI De Roma | D Major | 2 | 10B | 136 BPM | ||
Huapango (1941) - Live From Walt Disney Concert Hall, Los Angeles / 2010 | José Pablo Moncayo, Los Angeles Philharmonic, Gustavo Dudamel | G Major | 3 | 9B | 103 BPM | ||
Me Gustas Cuando Callas | Blas Galindo, Fuenteclara Ensemble Vocal, Ethel González Horta | A Minor | 1 | 8A | 87 BPM | ||
Sinfonía No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Orquestra De Cadaqués, Gianandrea Noseda | C Minor | 0 | 5A | 76 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Olímpica | Jose Herrera Gallardo, Orquesta Filarmónica de la Ciudad de México, Fernando Lozano | F♯ Minor | 2 | 11A | 77 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM |
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