Elin Kolev, Elena Kolesnitschenko, Slovak National Symphony Orchestra made "Ungarischer Tanz (Ungarische Tänze, WoO 1: 5. Allegro)" available on October 2, 2020. The duration of Ungarischer Tanz (Ungarische Tänze, WoO 1: 5. Allegro) is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Ungarischer Tanz (Ungarische Tänze, WoO 1: 5. Allegro)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Wunderkinder (Original Motion Picture Soundtrack) by Martin Stock, Elin Kolev, Slovak National Symphony Orchestra. The song's track number on the album is #5 out of 23 tracks. Based on our statistics, Ungarischer Tanz (Ungarische Tänze, WoO 1: 5. Allegro)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Since Ungarischer Tanz (Ungarische Tänze, WoO 1: 5. Allegro) by Elin Kolev, Elena Kolesnitschenko, Slovak National Symphony Orchestra has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Ungarischer Tanz (Ungarische Tänze, WoO 1: 5. Allegro) being at 143 BPM, the half-time would be 72 BPM with a double-time of 286 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
John Dunbar Theme - From "Dances With Wolves" | John Barry, Hollywood Bowl Orchestra, John Mauceri | E♭ Major | 1 | 5B | 98 BPM | ||
12 Lieder von Schubert, S. 558: No. 9, Ständchen von Shakespeare | Franz Liszt, Mona Asuka | D Major | 0 | 10B | 67 BPM | ||
The English Patient: Main Title Theme | Gabriel Yared, Royal Liverpool Philharmonic Orchestra, Carl Davis | D Major | 0 | 10B | 75 BPM | ||
Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
The Heart Asks Pleasure First | Michael Nyman, Ahn Trio | A Minor | 2 | 8A | 169 BPM | ||
Walzer No. 2 | Bremer Kaffeehaus-Orchester | C Minor | 1 | 5A | 94 BPM | ||
From Jewish Life: I. Prayer (arr. for cello and orchestra) | Anonymous, Ernest Bloch, Harriet Krijgh, Deutsche Staatsphilharmonie Rheinland-Pfalz, Gustavo Gimeno | F Minor | 1 | 4A | 90 BPM | ||
Cantata Memoria: Lament for the Valley | Karl Jenkins, Bryn Terfel, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, David Childs, Joo Yeon Sir, Jody Jenkins, Sinfonia Cymru | D Minor | 3 | 7A | 127 BPM |
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