"Sem Essa" by Jards Macalé had its release date on January 1, 1977. This song is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The song is number 2 out of 14 in Contrastes by Jards Macalé. Based on our statistics, Sem Essa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sem Essa by Jards Macalé is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chão Da Praça | Moraes Moreira | G Major | 8 | 9B | 125 BPM | ||
Samba Em Prelúdio | Geraldo Vandre, Ana Lúcia | E Major | 4 | 12B | 135 BPM | ||
Esnoba | Moinho | D Major | 8 | 10B | 98 BPM | ||
Canção da Meia Noite | Almôndegas | A Major | 6 | 11B | 124 BPM | ||
Dublê de corpo | Heróis Da Resistência | B Minor | 9 | 10A | 159 BPM | ||
Até Você Passar | Ive Greice | D♭ Major | 4 | 3B | 141 BPM | ||
Simples Desejo - Ao Vivo | Luciana Mello | C Major | 6 | 8B | 88 BPM | ||
Leve-Me Daqui | Vanessa Rangel | B♭ Major | 4 | 6B | 144 BPM | ||
Toró De Lágrimas | Antonio Carlos & Jocafi | C Major | 7 | 8B | 143 BPM | ||
Vela de breu | Jards Macalé | E♭ Major | 1 | 5B | 147 BPM |